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"If you love films and care about filmmakers, you'll have a hard time putting this book down. These lively conversations reveal just how much one generation of filmmakers influences the next - and how a single movie can change the course of a young person's life and career."
-Leonard Maltin, author of Leanord Martin's Movie Guide -
"A great and provocative read. Elder begins with a simple question and leads a wide variety of filmmakers down all sorts of unexpected paths. Why do we respond so passionately, even irrationally, to the movies that change our lives? The wonderful thing about being a critic or a lifelong movie lover is that life changes all the time in relation to the spells being cast on the screen. Elder's book honors that alchemic relationship many times over. It's addictive."
-Michael Phillips, film critic, Chicago Tribune
Author Archives: admin
Alex Gibney on The Exterminating Angel
“There’s something wonderfully comical and mysterious about it. In the meantime, everybody’s trying to sort of keep their poise in a completely ridiculous situation. So in a funny way, those early scenes were very transformative for me, because they have so many layers, and they were so mysterious and disturbing.”
Brian Herzlinger on E.T.: The Extra-Terrestrial
“…[W]hen I left that theater, I just wanted to go in again. I’ve never done any drugs in my life, but I think that is what an addiction feels like.”
Henry Jaglom on 8 ½
“I saw it at the Festival Theater on 57th Street in New York, near 5th Avenue. What I remember most vividly was, it was dark. When I walked in, it was light. When I walked out, it was dark. And I’m a New Yorker and yet I had no idea where I was or which way to go—which way was east, north, south, or west. I was in another universe.”
John Dahl on A Clockwork Orange
“It was violence for the sake of violence. I’ve never been in a fight in my life. It’s completely foreign to me, but it just seemed like stuff of literature; something of another world and exotic in that respect.”