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"If you love films and care about filmmakers, you'll have a hard time putting this book down. These lively conversations reveal just how much one generation of filmmakers influences the next - and how a single movie can change the course of a young person's life and career."
-Leonard Maltin, author of Leanord Martin's Movie Guide -
"A great and provocative read. Elder begins with a simple question and leads a wide variety of filmmakers down all sorts of unexpected paths. Why do we respond so passionately, even irrationally, to the movies that change our lives? The wonderful thing about being a critic or a lifelong movie lover is that life changes all the time in relation to the spells being cast on the screen. Elder's book honors that alchemic relationship many times over. It's addictive."
-Michael Phillips, film critic, Chicago Tribune
Author Archives: admin
Michel Gondry on Le voyage en ballon
“When you’re young, you’re very receptive to all the stuff you see, the emotions. And then you try all the time to match up with those sensations. So in this sense it may have changed my life because I’m always trying to re-create this feeling of watching this movie.”
Austin Chick on Kings of the Road
“That movie is ridiculously slow paced, glacially paced, but to me, maybe it was because I had spent the last two months hitchhiking around, I was in a place where I was used to a long period of silence, especially having spent a lot of time on the road. It somehow made sense to me, at the time.”
Steve James on Harlan County U.S.A.
“There’s something very alive about this film. What it’s about and the degree to which the filmmaker courageously put herself into a situation that she was not from. You don’t have to have known her history to know that she was an outsider. She had the courage to go into a situation, spend the time there, and really try to understand it.”
Kimberly Peirce on The Godfather
“I’m really interested in the psychological and the authentic portrayal of violence—particularly violence that comes out of emotions. Before The Godfather, I don’t know that you could have such a violent psychological film that was that broadly entertaining.”