Guy Maddin on L’âge d’or: “I stumbled across it up here in Canada. The Canadian Broadcasting Corporation, the French network, used to run silent movies on Sunday night. For some reason, I was in the habit of tuning into the French channel because they also ran a lot of nudity. It was something you kept trying to dial on your TV like a slot machine, just to see what kind of jackpot you could hit on the French channel. Every now and then, it was remarkable what you could come across. This is what I came across one night. Yeah, it literally is like a slot machine sitting in the corner of your living room, and when you were alone, you would just go over there and spin the channel selector and hope it comes up cherries or whatever. It was a tradition that I’d forgotten about until just now.”
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"If you love films and care about filmmakers, you'll have a hard time putting this book down. These lively conversations reveal just how much one generation of filmmakers influences the next - and how a single movie can change the course of a young person's life and career."
-Leonard Maltin, author of Leanord Martin's Movie Guide -
"A great and provocative read. Elder begins with a simple question and leads a wide variety of filmmakers down all sorts of unexpected paths. Why do we respond so passionately, even irrationally, to the movies that change our lives? The wonderful thing about being a critic or a lifelong movie lover is that life changes all the time in relation to the spells being cast on the screen. Elder's book honors that alchemic relationship many times over. It's addictive."
-Michael Phillips, film critic, Chicago Tribune